Data story · Albums

The colours of famous album covers, sliced left to right.

Cut a record sleeve into twelve upright strips, keep one colour from each, and lay them in a row. What is left is not the picture, just its palette in order, and the famous ones are still surprisingly easy to name.

Every strip on this page is a real Albums strip from the Huezle app, drawn by the app’s own code. More about Albums.

How to read the strips

Each strip is one album cover, cut into twelve vertical slices read from the left edge of the cover to the right. Each band is the colour that best describes its slice. There is no scale: the bands are the cover’s own colours, so black means the sleeve is black there and blue means it is blue.

No image is stored or shown, only twelve colours per album, measured from cover scans in the Cover Art Archive. A scan can differ a little from the sleeve you remember, so a slightly off shade is the scan, not the record.

How a slice gets its colour

The obvious method, taking the commonest colour in each slice, fails on exactly the covers people know best. A dark sleeve with a bright subject is mostly background in every slice, so the commonest colour is black twelve times over. Averaging the slice is worse: it turns everything to mud.

So each slice’s colour is chosen by how much of the slice it covers multiplied by how different it is from the cover’s overall colour. A small bright shape in a dark slice can win the band, the way you would describe the cover out loud: black, black, a rainbow, black.

Pink Floyd, The Dark Side of the Moon (1973)Four black bands, three grey ones, then green, yellow, green and two oranges on the right. The black around them is larger in every slice, but the colours are what make each slice distinctive.
Left edge of the coverRight edge of the cover
  • Left side of the cover
  • Middle of the cover
  • Right side of the cover

Covers that read like a description

Some strips are almost a sentence. Abbey Road is pale beige across its whole width except for three sky-blue bands in the middle. Thriller is ten off-white bands and then two near-black ones at the right-hand edge.

The Beatles, Abbey Road (1969)Beige, beige, then three bands of sky, then beige again.
Left edge of the coverRight edge of the cover
  • Left side of the cover
  • Middle of the cover
  • Right side of the cover
Michael Jackson, Thriller (1982)Ten pale bands and a dark right-hand edge.
Left edge of the coverRight edge of the cover
  • Left side of the cover
  • Middle of the cover
  • Right side of the cover

At the other extreme of colour, Saxophone Colossus is the most saturated strip of the 112: ten bands of bright blue broken by two of deep navy, a little left of centre.

Sonny Rollins, Saxophone Colossus (1957)Bright blue, a navy break, bright blue again.
Left edge of the coverRight edge of the cover
  • Left side of the cover
  • Middle of the cover
  • Right side of the cover

Why the black album is all black

Metallica’s self-titled 1991 record, known as the black album, comes out as twelve bands of pure black, the only perfectly flat strip of the 112. Its sleeve has nothing bright or large enough to stand out from the background, and the method only lets a colour win a slice when it does. A flat strip is the honest answer for a cover that really is one colour.

Metallica, Metallica (1991)Twelve identical black bands. The cover really is black from edge to edge.
Left edge of the coverRight edge of the cover
  • Left side of the cover
  • Middle of the cover
  • Right side of the cover

The palest strip sits at the opposite end of the scale. Dave Brubeck’s Time Out is twelve off-white bands, every one within a few shades of its neighbours.

The Dave Brubeck Quartet, Time Out (1959)Twelve near-identical off-white bands.
Left edge of the coverRight edge of the cover
  • Left side of the cover
  • Middle of the cover
  • Right side of the cover

The darkest genre is not metal. Count the near-black bands in each of the six genres and jazz comes out on top, ahead of metal, with hip-hop the least dark.

What the strips leave out

The twelve bands keep the order of colours across the sleeve and nothing else: no shapes, no faces, no lettering, and nothing about the top or bottom of the cover, since each slice runs its full height. That is why the palette alone is a fair puzzle rather than a picture. In the app the three wrong answers always come from the same genre as the right one.

The other 106 covers are puzzles in the Albums category. For more strips read left to right through a single work, try the happiest and saddest classic novels, where each band is a chapter, or Owen Wilson’s “wow”, movie by movie, where each band is five minutes of film.

Huezle shows you one cover as twelve colours and four albums to choose from. See if you can name a sleeve by its palette alone.

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Questions

Why is Metallica’s black album all black?

Its sleeve is black from edge to edge with nothing bright or large enough to stand out, so every one of the twelve slices takes the same colour. It is the only perfectly flat strip of the 112 covers.

Do these strips show the album cover?

No. Each strip is twelve colours, one per vertical slice of the cover from left to right. No image is stored, and the shapes and lettering on the sleeve are not recoverable from the colours.

Which album cover is the most colourful here?

By saturation, Sonny Rollins’ Saxophone Colossus, which comes out as ten bands of bright blue and two of deep navy.

Now try naming one yourself.

Huezle is free on iPhone. A new puzzle every day, four categories free forever, and no account, ads or timer.